Diane McLeod pulls outtakes directly from her personal journals — handwritten pages, thoughts, records of a life — and brings them into the studio as raw material.

From there, the journal entries are copied, cut apart, and combined with color papers and sections of litho plates. The pieces are pasted at different sizes, in different directions, upside down, backwards, overlapping. Nothing is meant to be read straight through. What emerges instead is something felt rather than followed — a lively, layered, abstract record of time passing and a glimpse into the artist's interior life.